Reginald Ayivor, born 1993, is a Ghanaian contemporary sculptor whose practice delves deeply into personal and societal experiences. His current research explores the intersection of power disparities, play, and politics, an inquiry that stems from inequality shaped by class, ethnicity, and racial and identity-based discrimination. His art serves as both a commentary on the current state of society and a vehicle for envisioning a better future for marginalized communities and individuals.

Ayivor’s sculptural practice is characterized by an innovative use of materials, primarily wood, metal, bamboo, and found objects. Through these materials, he creates dynamic sculptural narratives that explore the struggles, aspirations, resilience, and identities of marginalized individuals and communities.

In 2021, Ayivor earned his BFA from Takoradi Technical University in Ghana, where he developed a strong foundation in sculpture and artistic practice. He received his master’s degree in Sculpture from Eastern Illinois University in May 2024, where he expanded his material experimentation and engagement with social and cultural themes. He is currently pursuing an MFA in Sculpture at Arizona State University, further developing his practice through material exploration, critical inquiry, and engagement with broader artistic communities.

Ayivor has exhibited at National Showcase of Emerging Sculptors (Pittsburgh, Pennsylvania), Northlight Gallery (Phoenix, AZ), Vault Gallery (Tuscola, IL), Springer Cultural Center (Champaign, IL), and Tarble Museum of Art (Charleston, IL). Ayivor’s work has been featured in Sculpture magazine, Visual Art Journal, Divide Magazine and Artistcloseup Contemporary Art Magazine.